Search results for "film aesthetics"

showing 1 items of 1 documents

"That's Real! That's What You Want!": Producing Fear in George A. Romero's Dawn of the Dead (1978) vs Zack Snyder's remake (2004)

2011

International audience; This article examines traditional oppositions between terror and horror in Dawn of the Dead (1978) and its recent remake (2004), by focusing on one of the major changes made by the producers of the remake: the use of running zombies, which emphasizes the danger the creatures represent to the characters, and enables the film-makers to resort to the kind of cheap startle effects that abound in contemporary slasher and action movies. That the living dead of 1978 were slow-moving allowed for contemplation of their pathetic state and questioned the border between living and dead. The 1978 film underlined how incompatible the living dead were with such techniques that rely…

Hollywood[SHS.LITT]Humanities and Social Sciences/LiteratureLiterature and Literary TheoryVisual Arts and Performing ArtsDawn of the DeadContemplationmedia_common.quotation_subjectfilm aestheticsliving deadremake[SHS.LITT] Humanities and Social Sciences/LiteratureMovie theaterPoliticshorrorState (polity)terrorVerisimilitudeGeorge A. RomeroSociologymedia_commonzombie moviesbusiness.industry[SHS.ART]Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art historyAction (philosophy)AestheticsGeorge (robot)[SHS.ART] Humanities and Social Sciences/Art and art historybusinessMusic
researchProduct